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NEXT TO NORMAL

May 8 - June 30, 2019  |   Performed at 325 Tudor Court
Music by Tom Kitt
Book and Lyrics by Brian Yorkey
Music Direction by Andra Velis Simon
Choreographed by Eamon Foley
Directed by David Cromer

On the outside, The Goodmans seem like the average American family: house in the suburbs, white picket fence and two sharp-witted kids. But inside, their lives are anything but normal, with long-buried secrets that threaten to tear them apart. Featuring powerful lyrics and an electrifying score, this explosive musical uses wry humor and brutal honesty to explore how family trauma can fracture the American Dream, while ultimately leading to a chance at new beginnings. 

A NUMBER

Mar 20 - June 9, 2019  |   Performed at 325 Tudor Court
Written by Caryl Churchill
Directed by Robin Witt

The only way to change the past is to create a new one... In a strikingly familiar future, a regretful father attempts to fix the mistakes he made in raising his son by starting over with a clone—or rather, a number of clones. But is it really possible atone for the sins of the past? Powerful, unpredictable and devastating, Caryl Churchill’s suspenseful A Number sees the shocking story unfold as the men reconnect over several encounters, delving into what really happened and allowing the audience to explore for themselves: who do you trust, and who is to blame?

MA RAINEY'S BLACK BOTTOM

February 6 - March 17, 2019  |   Performed at 325 Tudor Court
Written by August Wilson
Directed by Ron OJ Parson

This visceral American classic serves as the 1920s chapter of August Wilson's epic American Century Cycle. What begins as a routine recording session becomes more strained as tensions rise between the members of a blues band and the owners of the recording studio. The white producers mean to exploit the talents of the band—especially the gifted and impulsive Levee—but when Ma insists on having things her way, tensions are enflamed and the play builds to an unexpected and searing climax.

TWELFTH NIGHT, OR WHAT YOU WILL

November 7 - December 16 , 2018   |   Performed at 325 Tudor Court
Written by William Shakespeare
Directed by Artistic Director Michael Halberstam

Shakespeare’s romantic, boisterous and poignant comedy has never felt more relevant—or more hilarious! When young Viola is shipwrecked on an unfamiliar shore, presuming her twin brother drowned in the same wreck, she must disguise herself as a man to secure a job with the local Duke Orsino. But when asked to further Orsino’s romantic interests with the powerful Olivia, she finds herself tangled in an increasingly confused love triangle. Crossed wires, cross purposes and crossed garters abound, leading to a final scene of revelations that allows almost everyone to live happily ever after…

WITCH

September 27 - December 22, 2018   |   Performed at 325 Tudor Court
Written by Jen Silverman
Inspired by The Witch of Edmonton by Rowley, Dekker & Ford
Directed by Marti Lyons

Mischief is afoot in the sleepy village of Edmonton and the fate of the world is at stake in this smart modern fable. When the emotionally conflicted son of the local lord and an ambitious newcomer come into conflict, help presents itself to both of them in the same guise—as the Devil himself. But while these two young men take advantage of the Devil’s bargain to accomplish their own questionable ends, someone else in town stands her ground—Elizabeth, an outcast whom everyone believes to be a witch.

VIETGONE

August 15 - September 17, 2018   |   Performed at 325 Tudor Court
Written by Qui Nguyen
Original Music & Music Direction by Gabriel Ruiz
Choreographed by Tommy Rapley
Directed by Lavina Jadhwani

It's 1975 and two young survivors (who may or may not be the playwright's parents) meet in a Vietnamese refugee camp in mid-America shortly after the fall of Saigon. Will this strange new land of cowboys, hippies and bikers allow them to fall in love? Playwright Qui Nguyen’s wildly creative, irreverent style flips stereotypes on their head, remixing history and culture into a sexy, funny and energetic fantasia as he imagines how two soul mates might have found each other in a turbulent time.